Kunst und Technik bei Nikolaus von Kues
Herausgegeben von Claudia D’Amico und Harald Schwaetzer

“Art and Technology in Nicholas of Cusa” discusses a basic assumption of the Central European ‘Weltanschauung’ since the early modern period. The two terms and their relationship to each other represent formative parameters that extend up to the present, in the so-called Anthropocene. An exemplary relevance of these terms can be found in Nicholas of Cusa. It comes to light in the development of art and technique between Cusanus and Leonardo da Vinci (G. Cuzzo). In Cusa’s philosophy, conjectural thinking forms the systematic core of this approach (C. D'Amico and J. González Rios). This thinking points in two directions, in that art and thought in Cusanus' reception of Neoplatonism and its independent appropriation lead to scientia aenigmatica , which at the same time manifests itself in technical images. (W.C. Schneider). Thereby, the liberal and the mechanical arts experience the same high esteem (K. Yamaki). For Nicholas, technology proves to be a form of expression of the “viva imago Dei” and its creative art; thus, Cusa characterizes two different forms of consciousness: the reflexive self-consciousness of science and technology as well as the creative consciousness of spiritual self-development (H. Schwaetzer). Cusa applied this concept also to humans and animals, and hence to nature in general (K. Zeyer)"

The present volume not only contributes to research on Cusanus but also provides a specimen for comparative studies of different forms of consciousness.

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Vorwort
Claudia D’Amico, Harald Schwaetzer
5-7

„Allseitig“ Denken. Das Thema des dreidimensionalen Sehens bei Nikolaus von Kues, Jan van Eyck und Leonardo da Vinci
Gianluca Cuozzo
9-34

The Conjectural Art as Self-Knowledge and Knowledge of Others: Tradition and Innovation
Claudia D’Amico
35-49

The Relationship between the Art of the Word and the Illiterate. Manual Arts in Nicholas of Cusa’s Conception of the Arts
José González Ríos
51-68

Vom Glasbläser oder Geist und Hauch, Diversitas und Assimilatio in Cusanus’ „De Genesi“
Wolfgang Christian Schneider
69-84

Die Begegnung zwischen ‚Artes Liberales‘ und ‚Artes Mechanicae‘ bei Nikolaus von Kues
Kazuhiko Yamaki
85-96

Kunst und Technik der menschlichen „mens“ bei Nikolaus von Kues. Bewusstseinsformen als Grundlagen von Kulturen
Harald Schwaetzer
97-122

Verschiedenheit und Würde der Lebewesen im konjekturalen Denken des Cusanus
Kirstin Zeyer
123-131